@Jane Hu@facebook Awesome! Phew.
I mean, isn't this almost exactly what Mallory Ortberg has been doing? Is this commentary about that series, or something? Please let it be something other than a ripoff.
The last time I heard this argument, I was at a comics convention and two bros were arguing that Ridley's character in "Alien" was originally written for a man to play, and choosing a woman instead was arbitrary and unnecessary, and since it wasn't written especially for a woman, it didn't take advantage of "female traits" and so was a poor choice. I guess Ridley shoulda talked more about "having it all" and maybe there could have been a romantic lead to save the day instead? They were so smarmy and privileged and smug, I wanted to rip their faces off.
I'm crying in public at a Panera which is pretty embarrassing. I loved Molly and her books. Those stories stuck with me. In fact, I was thinking about the mashed turnips she had to eat earlier today. I can see my grandma and great grandma bent over her sewing table together, making tiny dresses for my AG dolls. I miss her so much it's like a punch in the gut.
@Lurkasaurus @editrickster @fondue with cheddar @par_parenthese Okay! You asked for it! So, this is definitely my favorite story, ready for this?
Thomas Nast drew cartoons for Harper's in NY in the 1800s. He popularized the donkey and elephant as political symbols, gave us the modern day Santa, and other crazy things we are still familiar with. BUT what is the MOST AWESOME was his visual critiques of Tammany Hall, run by one Boss Tweed. This dude was super corrupt. He put all his friends in powerful positions, and would pull things like creating a building project and paying out an ABSURD amount of money to his pals. For example, the New York County Courthouse building cost $13 million to build - or $178 million in today's dollars. (Some things did get done under him, like the Brooklyn Bridge project, but the way he went about it was sooo sleazy and again, pretty much bankrupted the city).
Nast used his position at Harper's to continually attack Tweed, depicting him as above the law, with a literal moneybag for a head, and as mentioned above, as a Ceasar figure who was literally a-okaying ripping Columbia apart. Tweed sent some of his men with a "scholarship" for Nast to go "study abroad" to make him stop, but he DID NOT. (Tweed was quoted as saying, "I don't care what they write about me, but I hate those damn pictures!" as much of his constituency was illiterate, but could definitely understand those images.) Finally, after a major political faux paus that even Tweed couldn't cover, public favour turned against him and he was arrested. He slipped out of jail, and hopped a steamer ship to Spain. The best part, though? At the Spanish border, he was detained because someone recognized him from Nast's cartoons! So he was sent back to NY and died in jail. THE END.
The power of images!
The one where she is defending the Chinese immigrant was done by Thomas Nast, by far one of my favorite stories in illustration history. His depictions of Columbia always have her looking PISSED and yelling at some racist dudes or giving them the stink eye (his series after the Civil War where Columbia is introducing African-American veterans to the country as heroes is kind of amazing). Except when he was going after Tammany Hall, Columbia was shown as literally being ripped to shreds by "the tiger of Tammany Hall" in a gladiator-style venue. It definitely resonated with people. Yay! (I definitely teach Illustration History. I will go on and on.)
"Lukewarm llama empanadas" is such a great little poem.
@Tuna Surprise Well, it's just after 4 and kind of dark already, but we did get some sun today. It's wet and gloomy, but I'll take it over -30 and snow ANY DINGDONG DAY.
Why did the girl fall out of the swing? She didn't have any arms.
My favorite joke as a kid! (Also now.)