The fingernail-size microchip implant holds enough 30-microgram daily doses of levonorgestrel—a hormone already used in several contraceptives—to last for 16 years. Women who received the implant under the skin of buttocks, upper arm or abdomen would also get a remote control that allows them to halt or restart the implant whenever they like.
Many moons ago, Azealia Banks blessed us with "212"; three years later we don't yet have a debut album (and she dropped herself from her label), but we do have movement. Here's "Heavy Metal And Reflective," an extended, bouncy, guttural boast released by Azealia Banks Records. Elsewhere: "Video Girl," a new leak from FKA Twigs' forthcoming album, and Jenny Lewis' Newport Folk Festival set.
Kelefa Sanneh profiles Ronda Rousey, the former Olympian judoka and currently star of the UFC's mixed martial arts circuit, in this week's New Yorker. The UFC's female division essentially exists because Rousey does; the 27-year-old has never lost and is known for a punishing, unique arm bar that she brought over from her judo training. She's both the sport's star and "heel" (her walk-up music in one match is Joan Jett's "Bad Reputation"), and no other woman can compete with her. "In order to keep the attention of a restless audience," Sanneh writes, "Rousey needs to find another Rousey": READ MORE
Elaine Stritch, the famed actress and singer, died today at the age of 89. The clip above is her performing "The Ladies Who Lunch," from Company; this clip of her struggling to record the perfect take for the cast recording is worth watching, too. Shoot Me, a documentary about Stritch that came out last year and is available for streaming on Netflix now, includes this perfect anecdotal tribute from the late James Gandolfini: READ MORE