Just like Broad City depicts an unprecedented relationship between underemployed, post-grad twenty-something women, Amy Poehler’s latest producing venture, Difficult People, will portray a new spin on friends in their thirties whose lives turned out different than expected.
The premise behind Difficult People comes from Julie Klausner, who may be best known for her weekly podcast, “How Was Your Week?,” in which she’s interviewed with the likes of Julianne Moore, David Sedaris and Kathleen Hanna. She’s the author of two books, an Upright Citizens Brigade alumna, and has worked on TV series such as Mulaney and her friend Billy Eichner’s hilariously unorthodox game show Billy on the Street. [...]
Here's Shonda Rhimes, queen of television, at Dartmouth's graduation on Sunday, taking a moment to #drop #knowledge #about #hashtag #activism and much, much more:
And while we are discussing this, let me say a thing. A hashtag is not helping. #yesallwomen #takebackthenight #notallmen #bringbackourgirls #StopPretendingHashtagsAreTheSameAsDoingSomething
Hashtags are very pretty on twitter. I love them. I will hashtag myself into next week. But a hashtag is not a movement. A hashtag does not make you Dr King. A hashtag does not change anything. It’s a hashtag. It’s you, sitting on your butt, typing into your computer and then going back to binge watching your favorite show. I do it all the [...]
Here's the trailer for Shonda Rhimes's latest show, How to Get Away With Murder, starring Viola Davis and looking, already, wonderfully dramatic ("The body stays where it is!" "No, the body is what gets us caught!"). Davis appears to be a perfect candidate for Rhimes's third twisted sister, and the show cements the showrunner's (deserved) ABC takeover:
ABC is tweaking its efforts to climb out of fourth place, and Shonda Rhimes is a big part of it. The showrunner, who just inked a new overall deal, is getting a three-drama block on Thursday nights in the network's most ambitious move of the fall 2014-15 season. [...]
Watching Mad Men feels a bit like refinishing a wooden chair, sometimes. You’re methodically working away with sandpaper at the arms and legs of this thing, which has been this way for as long as you can remember, and you’re up close and it seems like work, but it’s also strangely soothing, and suddenly you step back after an hour and the whole chair has a different appearance.
At least, that’s how I felt about it last night. Not all that much seemed to happen, because after all, it's Mad Men; with some surprises the pacing tends to be slow and steady. Yet, by the end of the episode everyone [...]