Theodosia Goodman grew up in Cincinnati, the child of middle-class Jewish immigrants. Her father was a tailor; her mother kept house. She went to high school, she went to two years of college. She was a middling actress with middling looks, age 30, stuck in the Yiddish theater circuit, with a bit role in the occasional film. She was wholly unremarkable — one of hundreds of women working toward the same end.
And then, in 1915, totally out of nowhere, she became THE BIGGEST SEX SYMBOL IN THE WORLD. As the star of A Fool There Was, she embodied the cinematic “vamp” — the evil, predatory woman who seduces [...]
When we left off, Gloria Swanson’s career was effectively over. She seemed a relic, a beautiful curio. I cannot imagine how much this must have pissed her off, but Swanson, for all of her conspicuous extravagance, was also a pragmatist — her career may have been in decline, but she still had three children and a fourth husband of dubious worth to consider.
So she did what any faded star should: She moved to New York and got in the patent business. But she did it in a roundabout sort of way, starting a company, punnily called “Multiprizes,” which, starting in 1938, made a mission of rescuing Jewish smarty-pantses [...]
Warren Beatty wasn’t your typical handsome. There was something earnest about him — something plaintive, needy — that made women want to protect him. And, of course, sleep with him. And if you know anything about Warren Beatty, it’s probably that he’s rumored to have slept with 13,000 women over the last 75 years. I call bullshit on that math, but womanizing has nevertheless become Beatty’s defining characteristic. His sister famously said he “couldn’t even commit to dinner.” Woody Allen once asked to be reincarnated as his fingertips.
But here’s the thing: for all his flirtatiousness, for all his storied ability to romance over the phone, for all his [...]
The New Biographical Dictionary of Film - David Thomson. Here is where it all begins. This is no typical dictionary — it’s a huge book filled with every important star and director (and a few screenwriters and producers here and there) to make a difference in the history of the movies. But again, this isn’t typical, which is to say it isn’t boring as shit. David Thomson — a journalist and critic who's covered Hollywood for longer than I’ve been alive — not only tells you the projects that featured the star, but why the star was/remains important (or overrated, as the case may be). He’s opinionated: he doesn’t [...]