"Starting Thursday, VF Daily can exclusively reveal, bags and cups in Chipotle’s stores will be adorned with original text by [Jonathan Safran] Foer, Malcolm Gladwell, Toni Morrison, George Saunders, and Vanity Fair contributing editor Michael Lewis… 'I selected the writers, and insofar as there was any editing, I did it,' Foer said. 'I tried to put together a somewhat eclectic group, in terms of styles. I wanted some that were essayistic, some fiction, some things that were funny, and somewhat thought provoking.'" -VanityFair.com
Some additional suggestions for Foer's consideration below.
I have summer fever. To me, this seasonal state involves the desire to sit poolside, a book next to me opened to damply thumbed pages, the scent of chlorine and coconut sunscreen in the air, and a cold lemonade within reach creating a puddle of condensation where it rests. Maybe it’s not a pool. I could be lying upon the sand with an ocean view, or reclining on a hammock hung on a porch, or even indoors in the comfort of air-conditioning on the hottest of summer days. Wherever I am I’m eating a popsicle, and, most likely, I’m reading a book.
There are a great many excellent summer [...]
Baz Lurhmann’s The Great Gatsby lindy-hopped away with over 50 million dollars this past weekend and inspired New York's Kathryn Schulz to put together a thought-provoking takedown of the source material: “Aesthetically overrated, psychologically vacant, and morally complacent,” she declared last week.
Schultz points out, rightly, that no one in the book is worth a bottle of bathtub gin: What does our narrator Nick do when swaggering douchebag Tom breaks his mistress Myrtle’s nose, for example? Nothing. But the really detestable member of the bunch is Daisy, who has no character. She spends the book being languidly beautiful and wealthy, ignoring her child, flirting with her cousin, and [...]
I do not blame the internet, let's be clear about that. I blame my own inability to imbibe the internet responsibly. Before the internet, I probably read two books a day. I read exceptionally quickly; I have always looked at a page, and instead of reading word-word-word I see paragraph-paragraph-paragraph and it goes in like GULP, and then I turn the page. It's a decent party trick, and it's been good to me. In recent years, I have not been good to it. If I'm doing a formal book review, I turn on "Scholar and Gentlewoman" mode, and all is well, or if it's, like, the new Zadie Smith or [...]